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Lines of the United States --
U.S. lines - lines of calligraphy constitutes Jinluoringmainly talk about a pen. Liang Chi-chao said the number of strokes which the United States or line of the United States. Forced labor Chung said From the handwriting sector, the United States are also streaming. Calligraphy strokes from the tracks, out of Vientiane, the United States, people39s inner beauty.
Modeling the United States - that is the beauty of a combination of strokes and characters, visit the United States chapter of the rules, which form the so-called US-Liang Chi-chao or the structure of the United States. The reason why shape the word is to emphasize a sense of texture and three-dimensional.
Mind the United States - that is, the spirit of Liang Chi-chao said the United States or the performance of personality, or the personality of modern people used to say the United States. The right tosaid The heart is the pen is. Fu Shan said The word for Zuoren first. Liu Xizai that only a chest next to pounds fill the air to wrist real power between the possible. 35 cloth closure said The style of that person. The process of writing the work is the process of casting the authors personality. Chan-Li Wang said The Muslim Youjun, a smart dust. I also praise Lee The breeze of a sleeve, into the pregnant moon. The book not only praise, but praise of its people. The fine traditions of Chinese art is one of character has always been focused on the so-called high art than the high German is also.
In the history of Chinese calligraphy, Wang, Yan Zhenqing, Germany can be said to be Su Yi Zhen double, three sets in a model of the United States. Kam Gaoyuan Youjun know,upright character, SU Guan-yi Sun. First of all, people remember them miss their noble character and sterling integrity.
Calligraphers and other artists, are beauty, the creators and disseminators, are the engineers of human souls. Xu says painting with writing articles on the need for its own combustion, and then moved to others, resonate ... ....
The art of calligraphy is oriental culture. Starsfamily history book, ancient law book color the public scene, history book on the tobacco if the sea-ho. Discussed in this article only, fear of ridicule is inevitable exhaustive.
In short, the art of calligraphy treasures inexhaustible this area, filled with the United States and everywhere. The art of calligraphy in the United States and resides in calligraphy dialectics. Dialectics calligraphy art of calligraphy has given birth to the United States. Between the two organic links. Artistic beauty to the outside from the melt content of the high degree of unity, dialectics is the fundamental law of creation.
Books, such as also. Its people, its heart, one another. The United States is the art of calligraphy calligrapher portrayal of the soul.
From the heart, Shuai also. Create the main, that is, the moral person writing, sentiment, educated population, is casting skills and the art of calligraphy calligraphy dialectics between the United States to dominate in a furnace. Generally speaking, the work often depends on the merits of the author39s level of character. Of course, the individual39s dual personality are also inevitable. Cai Jing, Yan Song, Zheng Xu and his ilk, the United States and the word has Yiqiu despicable character, to be despised by the people. And Wang and Yan Zhenqing the history of Chinese calligraphy is the two giant, German art dual-Zhen, a long practice. The art of calligraphy and calligraphers mind the United States and the United States in their possession to achieve an organic unity of the harmony.
Section IV of the succession of tradition and change with the change in carrying forward the tradition of innovation and innovation is the dialectical relationship between the two binding to each other, promote each other. We must fully understand the correct relationship between them, and in practice, the efforts of Atsuyuki. Chinese calligraphy is an important part of culture, has a long historical tradition. Masters in the history of calligraphy not only inherited the fine traditions of innovation and the courage to change, and on behalf of many people. A history of Chinese calligraphy can be said to be a fashion one after another, many of the colorful history of color. Now we have entered into a computer of nuclear energy increases, the scientific leap and rational done, to speed up the pace of life and way of life in a new era of gorgeous. With the progress of the times, people39s aesthetic requirements also changed. In truth-seeking change while at the same time, longing for a simple, crisp, light, swift, beyond, distillation, diversification interesting. Facing the new era, we should do a good job in the preparation of the starting and take-off. Olympic lifting with the calligraphy! Qing Shi Tao said The pen and ink with the passage of enluxury.com/category_27_Chanel-Watches.html">chanel diamond time when! Era of the Chinese art of calligraphy to a new topic. Times it calls the world, it also requires a combination of art and the world. On the book had been highly summarized by the Jin Dynasty to the Qing calligraphy of the characteristics, namely the Jin Yun Shang, Tong Yan San Shanfari, Song Shang Yi, Zi Shang Ming, Qing Dynasty still change. This Music , Law, intention, Attitude , change , the connotation of a very rich, deep, broad, subtle, precise and scared the book reveals the history of development of the arts in the core. If there are no new changes, can not hung. Art, there is no innovation and change, there would be no life on the incredible. A history of Chinese calligraphy, which is a history of innovation and change. From the Qin Li Si,, China by Wang, Yan Zhenqing, Su, Zheng Banqiao and the Qing Dynasty and the nearXie, Yu Yu-jen, Mr. Zhu, which is not a book on the altar of the pioneers of innovation and change and founder! Politically stable and harmonious, are what we aspire to together, calligraphy Bixing. In the transformation of innovation, in promoting its Daxing changes. Our predecessors have created, respectively, each with characteristics of the times, Music, Law, intention, Attitude, 39, change , what should we do large fine, and strive to develop wind generation book, create a worthy of the great calligraphy works of the era? There is a great scientist Newton39s famous quote If I see more than Descartes39 far more 39, it is by standing on the shoulders of giants because of. Wang Chung is not forced labor, health and achievement of excellence in front of his wife back, the same , Wang Yan Zhenqing not in the spirit of casualstage fright before, they are in their Dazhi, Dayong normative challenge to the older generation to the art of calligraphy to scale new heights. Wang has always been the title of Shu-Sheng , over the altar of the Chinese book more than years. His early years he studied under Mrs. Wei, and Wei-Chung were his wife and forced labor laws. Before each wind Youjun from Chung39s,. Youjun in much the same kind, with its exceptional courage, wrist, talents and deep knowledge, the reform of the Chung-kai, Zhangthe grass this grass Zhang, created a running hand, writing a light through the best in the world running hand - Lan Ting Xu. Running hand in line with his Fadu everywhere and everywhere is not to die by the binding. Lanting Xu lively spirit, and stare scene in The Merry by Yun, Jin Shang is Melody concentrate on the performance, enjoy the Millennium, Shu-Sheng of winning, do not also desirable? ! Tang Book, are prepared from precursors, the so-called Tong Yan Shanfari , that is, the law won. Fadu awe-inspiring, spirit-hung, and for the characteristics of Tang Dynasty calligraphy. Yan Zhenqing Youjun step after the completion of the script an epoch-making the great cause of reform, initiated the reform Cursive. Regular script, the fourEarly, Li Yan a regular script, regular script can be described as the bodyinnovation. Cursive Youjun, all reaching Transformation script. Spirit of his art is not anything one could have a reversal, but Yan Zhenqing development, the potential change in the will. The mountains have no doubt heavy water complex deepWith this in mind, to capitalize on the trend, and only changed to a prospect of an entirely new situation. Up to the Song, one of the book for the changing wind. Tong Yan is sweeping, Wei, Jin and norms in the former, Tong Yan Song and Li-breaking Fadu below. Cultural and artistic history of humanity, it is in carrying forward the tradition of innovation and change to continue moving forward. Su said I made this book is intended not. Su, yellow, meters, Cai Four, increasingly since the late Tang Dynasty to break the rigidity of the format and style, creating a bold new, and create a meaning to win the Song Dynasty style. Su Shi39s created is different from the Orchid Pavilion and is different from the festival with nephew and the world is the third running hand - Cold Food Observance Huangzhou poem with so that Chinaa new climax. In summary, the Chinese art of calligraphy, in the long-term development of the process, the formation of three distinctive features of the classic style. The first is represented by Shinzo subtle style calm the second is represented by Tang bold style and strong-hung the third is represented by the Liberal Song Haofang style. Wang, Yan Zhenqing, Su is the three styles of the pioneers and founders. Contemporary calligraphers from them when to be a useful lesson to draw a wealth of nutrients. Chen Yu-long
Notes 1 Chen Yun-jun History of Chinese Calligraphy , the first page of 3,5,39,52. In November 1987 the People39s Daily Publishing House. 2 onoutside the text. 3 TANG Lan From the Dawenkou text pottery culture in China during the first culture set July 14, 1977, Guangming Daily . 4 Ping-Chen Hsiung states The Theory of Chinese calligraphy set in Hong Kong book Spectrum ,series. 5 Kang dual-Zhou Ji Guang-Yi yes Tang Peel section. 6 Ni ancient recorded, says T have Sihde sharp, homogeneous, round, health. 7 XIE Zhao |
Posted: 02:33, 2009-Aug-10 |
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